Johanne Luise Pätges

1812 - 1890  (78 år)

• Navn	Johanne Luise Pätges
  Fødsel	22 nov. 1812	Skt. Petri Sogn, Sokkelund Herred, Københavns Amt, Danmark
  Køn	Kvinde
  Misc	1823
  	Forældrene har en kælderbeværtning beliggende Brogaden (Christianshavn), København
  	Alder: 10-11
  Konfirmation	5 okt. 1828	Trinitatis Sogn, Sokkelund Herred, Københavns Amt, Danmark
  	Trinitatis Kirke
  Folketælling	1 feb. 1840	Christianshavn Kvarter, København (Staden), Københavns Amt, Danmark   [1]
  	Adresse: Brogaden (Langebrogade) 3, 1
  Folketælling	1 feb. 1870	København (Staden), Københavns Amt, Danmark
  	Adresse: Rosenvængets Hovedvej 20
  Folketælling	1 feb. 1880	København (Staden), Københavns Amt, Danmark
  	Adresse: Gothersgade 160, 2
  Folketælling	1 feb. 1890	København (Staden), Københavns Amt, Danmark
  	Adresse: Gothersgade 160, 2
  Uddannelse	København (Staden), Københavns Amt, Danmark
  	Firma: Det Kgl. Teater
  Beskæftigelse	Kongelig Dansk Skuespillerinde
  Død	21 dec. 1890	Hof og Slot, København (Staden), Københavns Amt, Danmark
  Begravelse	København-, Sokkelund Herred, Københavns Amt, Danmark
  	Holmens Kirkegaard
  Person-ID	I94549	My Family Genealogy | Familen Ravnholdt & Hansen
  Sidst ændret	11 dec. 2023

  
  

  Far	Christian Heinrich Pätges,   f. 1777, Honnef, Berg, Rhein-Sieg-Kreis, Nordrhein-Westfalen, Tyskland
  Mor	Henriette Hartwig,   f. 1780, Frankfurt am Main, Hessen, Tyskland
  Familie-ID	F32545	Gruppeskema  |  Familietavle

  
  

  Familie	Johan Ludvig Heiberg,   f. 14 dec. 1791, Skt. Nikolaj Sogn, Sokkelund Herred, Københavns Amt, Danmark d. 25 aug. 1860, Store Taastrup Sogn, Merløse Herred, Holbæk Amt, Danmark (Alder 68 år)
  Ægteskab	31 jul. 1831	Slangerup Kirke, Slangerup Sogn, Lynge-Frederiksborg Herred, Frederiksborg Amt, Danmark
  Børn	+ 1. Sarah Henriette Heiberg,   f. 28 okt. 1853, Frederiksted, St. Croix, Dansk Vestindiske Øer d. 30 dec. 1941 (Alder 88 år)  [Far: Adopteret]  [Mor: Adopteret]   2. Leila Adele Heiberg,   f. 1855, Frederiksted, St. Croix, Dansk Vestindiske Øer d. 1917 (Alder 62 år)  [Far: Adopteret]  [Mor: Adopteret]   3. Sarah Henriette Heiberg,   f. 28 okt. 1853, Frederiksted, St. Croix, Dansk Vestindiske Øer d. 26 dec. 1941 (Alder 88 år)  [Far: Adopteret]  [Mor: Adopteret] + 4. Anna Louise Heiberg,   f. 26 mar. 1857, St. Croix, Dansk Vestindiske Øer d. 3 nov. 1907, Marienlyst Slot (Alder 50 år)  [Far: Adopteret]  [Mor: Adopteret]
  Familie-ID	F26607	Gruppeskema  |  Familietavle
  Sidst ændret	9 sep. 2020

  
  

• Begivenhedskort		Konfirmation - Trinitatis Kirke - 5 okt. 1828 - Trinitatis Sogn, Sokkelund Herred, Københavns Amt, Danmark Død - 21 dec. 1890 - Hof og Slot, København (Staden), Københavns Amt, Danmark Begravelse - - København-, Sokkelund Herred, Københavns Amt, Danmark  = Link til Google Earth
  Kort forklaring	: Adresse       : Beliggenhed       : By       : Sogn       : Amt/Region       : Land       : Ikke indstillet

  
  

• Notater

  Et ægte Bakke-barn. Johanne Luise Heiberg, født Pätges, 22.11.1812-21.12.1890, tilhørte proletariatet; hendes forældre havde en overgang et telt på Dyrehavsbakken. Hendes mor solgte hollandske vafler. Hun legede bl.a. med "Jøden under træet", Levin og han kone Esters døtre. De præsenterede hende for Johan Ludvig Heiberg, der var direktør på Det kgl. Teater. Som otteårig kom hun ind på Det Kongelige Teaters Balletskole, fik hurtigt mindre roller i skuespillet og debuterede 1826 som Trine i vaudevillen Aprilsnarrene, skrevet til hende af Heiberg, med hvem hun fem år senere blev gift. Hun blev med årene meget fornem på den. Bl.a. hadede hun sin kollega fra balletskolen Louise Rasmussen, der blev gift til venstre hånd med kong Frederik VII, som grevinde Danner. Men folk huskede hendes ydmyge opvækst. Til hendes begravelse skrev Holger Drachmann: "Nej, Kunsten begynder i Dyrehavs-bod blandt Gøglere findes dens moder; den fødes til Liv i en Kælderhals, Der drejer sig i en Sagtevals efter de Sirligste Noder!" Johanne Luise Heiberg (née Pätges) (22 November 1812 – 21 December 1890) was one of the greatest Danish actresses of the 19th century. She is most famous for her work at the Royal Theatre in Copenhagen, where she achieved great success. Like Hans Christian Andersen she originally belonged to a poor milieu. She was the daughter of a stallholder and innkeeper and of his Jewish wife, very early she showed artistic gifts and entered the ballet school 1820. By the help of patrons she was promoted to the rank of an actress and made a successful debut 1827. From then she for more than thirty years appeared the absolutely leading actress of Danish theatre. In 1831 she married the famous and much older critic and dramatist Johan Ludvig Heiberg, a marriage that raised her position even further and just made her known as “Mrs. Heiberg”. “The Heibergs” became a Copenhagen concept and their home was a cultural centre. In return the dual position of the Heibergs as the leading lady of the theatre married to its main playwright also aroused much jealousy and accusations of favouring. Her great popularity within the public did not prevent her of getting opponents and her sometimes aggressive and arrogant one-sidedness (revealed in her autobiography) must be blamed for some of this. Her husband’s time as the director of the Royal Theatre 1849-56 ended in an open conflict with her colleagues and for a short period she even left the theatre. The death of her husband 1860 and her age caused her retirement as an actress 1864 — still at her height — though she worked as a stage director until 1874. Mrs. Heiberg played about 275 roles. Her exotic beauty combined with culture and elegance secured her position though she was not the only talented Danish actress of her age. Among her roles must be mentioned some Shakespeare characters (Viola in Twelfth Night) and especially in French comedies and dramas. In Danish dramas she shined in Holberg’s and Oehlenschlägers plays and especially in her husband’s dramas, her performance in Elves' Hill (Danish: Elverhøi) was a classic. Her strength was intelligence, controlled passion and wit but she did not show the same talent for the tragedy. To a whole generation of Danish dramatists she was the muse and especially she inspired Henrik Hertz to write many of his main female roles for her. She also wrote some few (not especially important) vaudeville acts herself; the most popular is En Søndag paa Amager (“A Sunday at Amager”, 1845). Søren Kierkegaard wrote a tribute to her in 1847, The Crisis and a Crisis in the Life of an Actress. Her autobiography, Et Liv gjenoplevet i Erindringen ("A Life Relived in Memory", ed. 1891-92) is a major literary work from the Danish Golden Age. It has often been criticised for its subjective descriptions but is still regarded a pioneering work because of its interest of the process of acting. Though she was closely connected to the romantic tradition Mrs. Heiberg is still regarded a key figure of Danish drama, like for instance Sarah Siddons in England. Beyond any doubt she contributed to the rise of the public social and moral opinion of Danish actors as play-actors to artists and cultural personalities. Her image is currently featured on the front of the Danish 200-krone banknote.[1][2] The drama Rain Snakes (Från regnormarnas liv, 1981) by the Swedish author Per-Olov Enquist fictitiously deals with the relationship between Mrs. Heiberg and Hans Christian Andersen. 1823: Forældrene har en kælderbeværtning beliggende Brogaden (Christianshavn), København

  
  

• Kilder

  [S415] Christianshavn Kvarter, (Danish Family Search), Opslag Nr. 5, https://www.danishfamilysearch.dk/cid4773750 (Troværdighed: 3).